Richard Albiston Interview


 
Hello Mr. Albiston. It’s an honor to interview you. Please, introduce yourself and the new Cannon Films company. The most welcomed reincarnation for cult movie buffs nowadays!
 
Hi Tiziano. Reincarnation is a very strong word. Since Menahem passed, I wanted to create an independent company that could complete his work, because he had so many fantastic ideas and so many scripts that have something really special to offer. He worked extensively on a script called Le Grande Festival and it really is one of the most fantastic scripts I’ve ever read. I wanted to do what I could to try and get these movies made, but at the same time, I have my own ideas an directions that I’d like to explore, which is why we have movies like Daniel Farson’s Curse in active development.
 
You defined yourself as the “Protégé” of Menahem Golan. He was a legend, and it’s a true pleasure to see that someone so skilled like you is carrying on his endless legacy. Can you tell us more about him?
 
I’d certainly never look upon myself as skilled. Even fantastic, creative individuals in movies sometimes make a project that they believe is the best way forward, and it doesn’t receive the attention they had hoped, Menahem is included in that, but I think now there is a seemingly endless line of Cannon Group material getting comprehensive attention from companies like Arrow Video, 88 Films and others in the US, shows that in certain circumstances, it takes a long while to be accepted.
 
Menahem was a great guy. I’ve been lucky enough to work with some great producers of different nationalities, but Menahem was different. Some producers ask for something and you show them your work and they throw it out the window, even though it’s exactly what they asked you to write. Menahem was different, when we first started on the script that would become Allan Quatermain and the Jewel of the East, we had a solid treatment and then a first draft. But then Menahem had changes and ideas, but he’d always explain to me, someone who hadn’t been through that process before, exactly why we  were changing because of the way he would shoot something or that a certain line could throw the audience off what we were trying to tell them. It helped me get a strong grasp on, not only WHAT to write, but WHY to write it like that. Menahem was extremely generous with his time and his experiences, he’d lived it and learnt it.
 
Did he (Golan) ever reveal you some facts or interesting tidbits/inside stories about the five American Ninja movies? What did he think about the overall American Ninja saga?
 
We never sat down and had a real conversation about American Ninja as it was back then. We had approached Michael’s agent about a completely different project back in 2011 or 12 and we had a brief talk about how he suited the role but American Ninja wasn’t really something we discussed. You have to remember that Menahem did one of the first ‘Western’ ninja movies with Enter the Ninja with Franco Nero, and American Ninja didn’t happen until after Cannon’s first ninja franchise ended with Ninja 3: The Domination. There’s no doubting that American Ninja was certainly successful, but American Ninja 3: Blood Hunt didn’t come out until after Menahem had left the company and that production was handled by another great producer, Harry Alan Towers. So I don’t really know what he thought of the saga as a whole.
 
Do you like American Ninja 2: The Confrontation?
 
I like all of the American Ninja films, although some of the sequels, like most sequels, often don’t require viewing as often as others. American Ninja 2 shows really Sam Firstenberg coming into his peak as a director, although I view Avenging Force as his best film. The sequel was a bit more ‘out there’ with his genetically enhanced ‘super ninjas’ and stuff, but it gave Michael and Steve James a chance to show off. I also liked the soundtrack of the sequel more, the trumpet in American Ninja always makes me feel sorry for the poor musical that had to play it!
 



Has the franchise been profitable? What was the most commercially successful “David Bradley entry” anyway?

I think it was profitable but less so as the films went on. By the time it got to American Ninja 3: Blood Hunt, the Cannon Group had a home media deal for video tapes with some company on the condition that the films had been a theatrical release. So what they’d do is release the film in a limited area for a week or two weeks or whatever just to keep the deal going. As a result, American Ninja 3 and American Ninja 4 didn’t do very well at the box office at all, but then did well on home media. But I believe American Ninja 3 was the more profitable of the David Bradley films.
 
I once theorized that at a certain point of his life Sean Davidson left Delta Force and adopted a new civilian identity (Joe Kastle) in order to avoid the demons (and the enemies) of his past as special agent and hero. So basically, American Ninja 5 could be a proper chapter and not necessarily an alternate universe. What do you think about this theory? All in all, that could not even disrupt the continuity of the upcoming American Ninja Apprentice.
 
Well first of all, American Ninja Apprentice is neither a sequel nor a prequel to the original American Ninja saga. It’s is it’s own film, in it’s own universe with it’s own timeline.
 
Your theory is certainly interesting. I suppose there are arguments for and against. If fans want it to be connected, then they can be, or if you want it to be it’s own film, that’s fine too.
 
Is American Ninja 5 an official movie of the franchise, however? Much speculation has surrounded the flick throughout the decades. Is the original title: American Ninja 5 or American Ninja V?
 
The original title is neither of those. As far as I know, someone wanted to do a movie in the vein of The Karate Kid and they either commissioned a script or bought a script that suited them. I know at one point the film was titled Little Ninja Man, which is in the dialogue of the film at several points. I have heard it was also called American Dragons at one point. I did work with the movie’s producer, cult filmmaker Ovidio Assonitis, at one point, but again, American Ninja is not something we discussed other than his time at Cannon in general. I know for certain, that American Ninja 4: The Annihilation ended the franchise with it’s low profit margin and the internal conflict of the renamed Cannon Pictures at the time, so I have little doubt in saying American Ninja 5 never started life as an official sequel in name or any capacity.
 
In my mind, Joe Armstrong is the “Batman” of the American Ninja saga, while Sean Davidson is the “Nightwing” (If you’re not familiar with comic books, he’s the original Robin gone adult and independent as costumed superhero). How do you see the two characters? Which aspects of each do you like the most?
 
I like both characters and both actors. If you sat me down and forced me to pick an American Ninja film to watch, I’d probably pick American Ninja 3: Blood Hunt. Marjoe Gortner is a great villain, even if the film is a bit all over the place, but then that’s down to budget and circumstance. Both Harry and Cedric, the director, did the best with what was available to put a new guy in the lead of a successful franchise, which is notoriously hard to do, even with James Bond sized budgets.
 
I see them both as their own man, completely different in background and in characterization. Fans will always pick and choose which one they prefer for their own reasons and often as how they saw the film on it’s original viewing. Sean is a far more personable hero, where is Joe is quiet and aloof to others around him. That’s not to say one is good and one is bad, it’s just different and just like with James Bond, it’s up to the individual fan to pick and choose based on their own taste.

  Steve James. Talk about him. He will be forever missed…

I’ve always enjoyed his movies. The first performance I saw him in was The Delta Force. In a lot of his films, he was underused. Especially in performances like Avenging Force and Hero and the Terror, he puts in great performances but he’s never the focus. He never made another Cannon film after Menahem left, but he went to 21st Century Film Corporation with him and did Street Hunter, which he plays the lead. But it’s the mark of a great actor that you can remember and appreciate their performance even though they aren’t the focus of the film and whether its in The Exterminator, The Delta Force or whatever, you always remember Steve.

I noticed in a lot of American Ninja 3 marketing stuff they gave Steve top billing (finally!) because David got the ‘And Introducing…’ credit at the end, which he deserved. Even though Michael and David were the American Ninjas, I doubt they’d have stood a chance agains the villains (or at the box office) without Steve.

American Ninja Apprentice. The upcoming project. Is that a working title? I’m definitely thrilled and excited, but I must confess I’m also a bit scared to see a girl assuming the mantle of the new American Ninja. Or am I totally wrong about the plot and the concept behind the sixth movie? I’m confident in you and the new phase of the company.

Working title yes, but I don’t see it changing if I’m honest. This title is something I discussed with Menahem about re‐inventing the ninja movie for modern audiences. The 80’s were a hotbed of action for ninjas, even I still have a copy of The Revenge of Shinobi for a SEGA Mega Drive, but their appearances since then, even in the recent Nu Image films with Scott Adkins, haven’t really done anything primal. They’ve taken baby steps away from the 80’s movies with making the costumes cooler, action smoother, adding CGI stuff, but they’re still ninja script that would feel at home next to their 80’s counterparts. How do ninjas fit into the age of digital technology? Why would a psychotic villain like Marjoe Gortner’s The Cobra hire ninjas today when he can take out his enemies with drones and stuff?

Hopefully we can put something together that adds something new, another dimension to this rare sub‐genre whilst keeping what we all love about the old ninja movies alive.

Will the original American Ninja costume make an appearance? Black suit + red belt? Will “he” be masked as the good ol’ days?

 I have no idea. That’s a question for the director to answer.

Hopefully you liked my website. Any message or special dedication for the American Ninja fans out there?

American Ninja fans, like any Cannon fans, know what they love and what they want to see. Hopefully we can deliver something that satisfies their needs! I hope you won’t be disappointed!


 
Thank you Mr. Albiston for this amazing and very insightful interview... we’re waiting for the return of American Ninja.